PAINTING. A Permanent Challenge
2019Painting has been one of the most controversial art forms, yet it has also undergone numerous revitalizations. Through brilliant innovations and unexpected transformations, it has expanded its boundaries into other artistic disciplines.
Authors: AA.VV.
Edit: Fundación La Caixa
Year: 2019
Textss: AA.VV.
Pages: 102
Language: spanish, english, catalan
ISBN: 9788499002415
At the beginning of the 20th century, painting abandoned its referential function, going from being a window to the world to being an idea, an intellectual representation that constituted an autonomous visual reality. In this process, painting has sparked important debates, been a source of inspiration and confrontation, and marked the starting point for numerous contemporary artistic trends.
This exhibition explores painting as a mental process, an abstract idea that expands from the canvas to other media such as photography, sculpture, printmaking, and installation. It is the idea of the pictorial, which incorporates a changed understanding of painting captured between the intellectual concept and the sensuality of the material. “Painting: A Permanent Challenge” brings together works by artists who renewed painting in the 1960s and 1970s alongside those of a younger generation that has expanded the boundaries of this discipline, reinventing new forms of production and presentation.
The exhibition features more than forty works, including those of Robert Ryman, Sigmar Polke, Gerhard Richter, Wolfgang Tillmans, Robert Mangold, Angela de la Cruz, Ruben Guerrero, Günther Förg, Jessica Stockholder, Juan Uslé, and Richard Tuttle.
UNA PREGUNTA DIARIA
Catalogue-newspaper published by Formato Cómodo Gallery on the occasion of the solo exhibition “A Daily Question” by Guillermo Mora.
RITA
Revista Indexada de Textos Académicos
Interview with the painter Guillermo Mora (Alcalá de Henares, 1980) about aspects of his work related to Architecture. The text, through the concept of lag understood as the ability to incorporate uncertainty into the creative process, investigates three transitions in the artist’s production: that of the studio to the exhibition space, that of the conceptual world to the material, and that of autonomy. of the works to the links that are generated between them at multiple levels.
ON PAINTING
[prácticas pictóricas actuales… más allá de la pintura o más acá]
The exhibition catalogue presents four main themes that explore the programmatic changes in painting practices from the end of the last century to the beginning of the current one.