The series will progressively enlarge over the years, leaving a memory of those people through a physical, corporeal painting that folds and coils upon itself, exploring the very meaning of body and material.
The series “Mitad tú, mitad yo” is based on a dual structure: each piece represents one part of the artist and another part dedicated to someone absent, someone who is no longer part of his life. In Mora’s own words, it is a form of “shared presence,” where the personal coexists with the evocative. This gesture turns the work into a kind of intimate tribute, a silent conversation between what remains and what has been lost.
Materially, the series abandons the logic of the pictorial plane. Mora does not paint images but works with paint as a material—accumulating it, folding it, solidifying it—until it becomes volume. These “pools of color,” reconfigured into three-dimensional forms, create sculptures that retain a tangible emotional dimension, where the paint not only represents but is memory itself.