PAINTING. A Permanent Challenge
2019Painting has been one of the most controversial art forms, yet it has also undergone numerous revitalizations. Through brilliant innovations and unexpected transformations, it has expanded its boundaries into other artistic disciplines.
Authors: AA.VV.
Edit: Fundación La Caixa
Year: 2019
Textss: AA.VV.
Pages: 102
Language: spanish, english, catalan
ISBN: 9788499002415
At the beginning of the 20th century, painting abandoned its referential function, going from being a window to the world to being an idea, an intellectual representation that constituted an autonomous visual reality. In this process, painting has sparked important debates, been a source of inspiration and confrontation, and marked the starting point for numerous contemporary artistic trends.
This exhibition explores painting as a mental process, an abstract idea that expands from the canvas to other media such as photography, sculpture, printmaking, and installation. It is the idea of the pictorial, which incorporates a changed understanding of painting captured between the intellectual concept and the sensuality of the material. “Painting: A Permanent Challenge” brings together works by artists who renewed painting in the 1960s and 1970s alongside those of a younger generation that has expanded the boundaries of this discipline, reinventing new forms of production and presentation.
The exhibition features more than forty works, including those of Robert Ryman, Sigmar Polke, Gerhard Richter, Wolfgang Tillmans, Robert Mangold, Angela de la Cruz, Ruben Guerrero, Günther Förg, Jessica Stockholder, Juan Uslé, and Richard Tuttle.
EIGHT EXTRAORDINARY SPATIAL QUESTIONS
Eight Spatially Extraordinary Questions is set in the Tabacalera building, which has a rich history tied to a particular economic, political, and social context. This diverse location serves as the ideal setting for the eight site-specific artistic interventions created by the artists in the exhibition, with each intervention placed in its own distinct space.
RITA
Revista Indexada de Textos Académicos
Interview with the painter Guillermo Mora (Alcalá de Henares, 1980) about aspects of his work related to Architecture. The text, through the concept of lag understood as the ability to incorporate uncertainty into the creative process, investigates three transitions in the artist’s production: that of the studio to the exhibition space, that of the conceptual world to the material, and that of autonomy. of the works to the links that are generated between them at multiple levels.
EN CASA
Diálogos autónomos
“EN CASA” is a series of interventions by emerging artists that occur outside the exhibition spaces of La Casa Encendida. This program was designed to showcase specific emerging art projects. Curated by Luisa Fuentes Guaza, this edition includes interventions by artists such as Andrés Jaque, Federico Herrero, Pía Camil, Guillermo Mora, Enrique Radigales, Adrián Villar Rojas, Elena Alonso, Luciano Suárez, Radamés ‘Juni’ Figueroa, and Stefan Benchoam.