![Guillermo Mora - Guillermo_Mora_Un_Puente_donde_quedarse_Alcala_31_publicacion_This_Side_Up_[interior]](https://www.guillermomora.com/wp-content/uploads/2025/05/Guillermo_Mora_Un_Puente_donde_quedarse_Alcala_31_publicacion_This_Side_Up_interior.gif)
UN PUENTE DONDE QUEDARSE
Guillermo Mora
2022Catalog of the solo show A Bridge to Stay On at Sala Alcalá 31, where artist Guillermo Mora engages in a dialogue with the architecture of the space, influencing how it is perceived and navigated.
Edit: This Side Up y Comunidad de Madrid
Design: This Side Up
Pages: 144
Size: 17 x 24 cm
Language: Spanish, English
ISBN: 978-84-123949-4-8
This exhibition catalog embodies the spirit of “A Bridge to Stay On,” a site-specific project specifically designed for Sala Alcalá 31. In this exhibition, visual artist Guillermo Mora (born in Alcalá de Henares in 1980) continues his investigation into the traditional boundaries of painting, like two-dimensionality, frontality, and representation. Through his work, Mora addresses issues that extend beyond the pictorial and suggest alternative forms of existence, encapsulating the idea of “Painting as Resistance.”
The catalog serves as an object that reflects the spatial intervention achieved through the color studies employed by the artist. It challenges established hierarchies and orders, leading to new ways of navigating, perceiving, and experiencing both space and painting.
The catalog features photographs by Luis Asín, a text by Pia Ogea—the curator of the exhibition—and a conversation between Carlos Fernández-Pello and Guillermo Mora.
RITA
Revista Indexada de Textos Académicos
Interview with the painter Guillermo Mora (Alcalá de Henares, 1980) about aspects of his work related to Architecture. The text, through the concept of lag understood as the ability to incorporate uncertainty into the creative process, investigates three transitions in the artist’s production: that of the studio to the exhibition space, that of the conceptual world to the material, and that of autonomy. of the works to the links that are generated between them at multiple levels.
ON PAINTING
[prácticas pictóricas actuales… más allá de la pintura o más acá]
The exhibition catalogue presents four main themes that explore the programmatic changes in painting practices from the end of the last century to the beginning of the current one.
PHOTOGRAPHER PAINTERS
EXIT – 61
This issue continues to focus on the photographic image, even though the perspective is guided by the painter’s eyes. These painters have and continue to invent painting from a unique viewpoint. They have been able to regenerate new ways of doing, looking, and being.