THE CIRCULAR DESK
Guillermo Mora and Teresa Solar
2016Catalog for the exhibition “The Circular Desk,” featuring artists Guillermo Mora and Teresa Solar at La Panera, Lleida. The artists selected this unique desk as a basis for dialogue, merging their different practices and perspectives.
This piece of furniture serves as a constant point of negotiation between two artists who come from distinct areas of the visual arts.
Edit: Ajuntament de Lleida, Centre d’art La Panera
Year: 2016
Texts: Marti Manen
Pages: 32
Photographs: 49 stickers
Size: 32 x 20 cm
Language: Catalan, Spanish, English
ISBN: 978-84-96855-83-0
Historically, circular desks have been unique pieces of furniture that, due to their distinctive shape, offer advantages over traditional rectangular desks. Found in large libraries and the offices of some of history’s most distinguished figures, the circular desk has facilitated the gathering of vast amounts of information and has provided new ways to access knowledge.
Both artists have chosen this unusual desk as a foundation for dialogue and the blending of their practices and attitudes. This piece of furniture serves as a constant point of negotiation between two artists who come from very different artistic backgrounds.
IT MUST BE SEEN.
The Autonomy of Color in Abstract Art
Catalog published for the exhibition “It Must Be Seen. The Autonomy of Color in Abstract Art” from February 28 to June 8, 2025, at the Juan March Foundation, Madrid.
EN CASA
Diálogos autónomos
“EN CASA” is a series of interventions by emerging artists that occur outside the exhibition spaces of La Casa Encendida. This program was designed to showcase specific emerging art projects. Curated by Luisa Fuentes Guaza, this edition includes interventions by artists such as Andrés Jaque, Federico Herrero, Pía Camil, Guillermo Mora, Enrique Radigales, Adrián Villar Rojas, Elena Alonso, Luciano Suárez, Radamés ‘Juni’ Figueroa, and Stefan Benchoam.
PHOTOGRAPHER PAINTERS
EXIT – 61
This issue continues to focus on the photographic image, even though the perspective is guided by the painter’s eyes. These painters have and continue to invent painting from a unique viewpoint. They have been able to regenerate new ways of doing, looking, and being.