EIGHT EXTRAORDINARY SPATIAL QUESTIONS
2014Eight Spatially Extraordinary Questions is set in the Tabacalera building, which has a rich history tied to a particular economic, political, and social context. This diverse location serves as the ideal setting for the eight site-specific artistic interventions created by the artists in the exhibition, with each intervention placed in its own distinct space.
Edit: Ministerio de Educación, Cultura y Deporte
Year: 2014
Texts: Virginia Torrente
Pages: 64
Language: Spanish, English
Eight Spatially Extraordinary Questions is set in the Tabacalera building, which has a rich history tied to a particular economic, political, and social context. This diverse location serves as the ideal setting for the eight site-specific artistic interventions created by the artists in the exhibition, with each intervention placed in its own distinct space.
Jacobo Castellano, Miren Doiz, Nuria Fuster, Fernando García, Hisae Ikenaga, Jaime de la Jara, Guillermo Mora, and Miguel Ángel Tornero each have unique artistic paths. However, they all embrace the challenge of working in a distinct environment, where doubts and questions arise that require exploration and resolution. Their works share a common theme: each creator, drawing from their ideas, delves into the concepts of memory and forgetfulness associated with household objects, furniture, and other everyday items.
The creative process, which is essential to the works presented in this exhibition, begins with the original or alternative purposes for which the materials were designed. From this starting point, the possibility emerges for these materials to fulfill new functions, shaped by the artist’s vision. In their deconstruction of these items, the artists seek hidden identities, propose new uses, explore conceptual perspectives, or simply highlight the absurdity of the materials and commonplace objects that surround us, each from their unique point of view.
What is truly significant is the lasting impact of the artwork, whether it is ephemeral or permanent, as a testament to the creativity and imagination of its creator.
IT MUST BE SEEN.
The Autonomy of Color in Abstract Art
Catalog published for the exhibition “It Must Be Seen. The Autonomy of Color in Abstract Art” from February 28 to June 8, 2025, at the Juan March Foundation, Madrid.
GENERACIÓN 2013
Proyectos de arte Caja Madrid
Many of the authors of Generación 2013 agree that in their respective projects—directly, without any artifice—concepts such as emptiness, ruin, loss, and disappearance are addressed; an approach that, in tune with current events in the world, is open to enrichment through multiple interpretations by viewers.
RITA
Revista Indexada de Textos Académicos
Interview with the painter Guillermo Mora (Alcalá de Henares, 1980) about aspects of his work related to Architecture. The text, through the concept of lag understood as the ability to incorporate uncertainty into the creative process, investigates three transitions in the artist’s production: that of the studio to the exhibition space, that of the conceptual world to the material, and that of autonomy. of the works to the links that are generated between them at multiple levels.