RITA
Revista Indexada de Textos Académicos
2022Interview with the painter Guillermo Mora (Alcalá de Henares, 1980) about aspects of his work related to Architecture. The text, through the concept of lag understood as the ability to incorporate uncertainty into the creative process, investigates three transitions in the artist’s production: that of the studio to the exhibition space, that of the conceptual world to the material, and that of autonomy. of the works to the links that are generated between them at multiple levels.
Edit: Cancha Editorial
Year: 2022
Texts: AA.VV.
Pages: 302
Language: Spanish
ISSN: 2386-7027
rita_ (ISSN : 2386-7027) is a biannual publication. The subject matter of the texts will be any related to architectural theory and practice (project-analysis / composition-criticism-technology). rita_ is a paper and digital journal that publishes original works not previously published in other journals, books, or conference proceedings. A system of arbitration is established for the articles selected for publication by an external reviewer following the usual protocols for scientific publications. The evaluation system will be anonymous, external to the editorial board and by peers, and will focus on four fundamental aspects: the contribution to knowledge of the subject, the correctness of the relationships established with the background and bibliography used, the correct writing of the text to facilitate its understanding and, finally, the critical judgment that is concluded from what is presented.
ON PAINTING
[prácticas pictóricas actuales… más allá de la pintura o más acá]
The exhibition catalogue presents four main themes that explore the programmatic changes in painting practices from the end of the last century to the beginning of the current one.
UNA PREGUNTA DIARIA
Catalogue-newspaper published by Formato Cómodo Gallery on the occasion of the solo exhibition “A Daily Question” by Guillermo Mora.
UN PUENTE DONDE QUEDARSE
Guillermo Mora
Catalog of the solo show A Bridge to Stay On at Sala Alcalá 31, where artist Guillermo Mora engages in a dialogue with the architecture of the space, influencing how it is perceived and navigated.