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THE CIRCULAR DESK

Guillermo Mora and Teresa Solar

2016

Catalog for the exhibition “The Circular Desk,” featuring artists Guillermo Mora and Teresa Solar at La Panera, Lleida. The artists selected this unique desk as a basis for dialogue, merging their different practices and perspectives.

This piece of furniture serves as a constant point of negotiation between two artists who come from distinct areas of the visual arts.

Edit: Ajuntament de Lleida, Centre d’art La Panera
Year: 2016
Texts: Marti Manen
Pages: 32
Photographs: 49 stickers
Size: 32 x 20 cm
Language: Catalan, Spanish, English

ISBN: 978-84-96855-83-0

La Panera

Historically, circular desks have been unique pieces of furniture that, due to their distinctive shape, offer advantages over traditional rectangular desks. Found in large libraries and the offices of some of history’s most distinguished figures, the circular desk has facilitated the gathering of vast amounts of information and has provided new ways to access knowledge.

Both artists have chosen this unusual desk as a foundation for dialogue and the blending of their practices and attitudes. This piece of furniture serves as a constant point of negotiation between two artists who come from very different artistic backgrounds.

Other publications
Guillermo Mora - UNA PREGUNTA DIARIA

UNA PREGUNTA DIARIA

Formato Cómodo, 2010

Catalogue-newspaper published by Formato Cómodo Gallery on the occasion of the solo exhibition “A Daily Question” by Guillermo Mora.
Guillermo Mora - PAINTING. A Permanent Challenge

PAINTING. A Permanent Challenge

La Caixa Foundation 2019

Painting has been one of the most controversial art forms, yet it has also undergone numerous revitalizations. Through brilliant innovations and unexpected transformations, it has expanded its boundaries into other artistic disciplines.
Guillermo Mora - RITA

RITA

Revista Indexada de Textos Académicos

Cancha Editorial, 2022

Interview with the painter Guillermo Mora (Alcalá de Henares, 1980) about aspects of his work related to Architecture. The text, through the concept of lag understood as the ability to incorporate uncertainty into the creative process, investigates three transitions in the artist’s production: that of the studio to the exhibition space, that of the conceptual world to the material, and that of autonomy. of the works to the links that are generated between them at multiple levels.